Fashion Thoughts [original 2015 photo with AI background] The unique and wonderful designs of Tiffiany Gilstrap-Scott
Roberto Cavalli died today at the age of 83. I wish you could have known him. Or maybe not. He was a unique character in the fashion world, his own life shaped by the loss of his father, shot by nazis when he was three years old. That event did two things that lasted: it gave him a stutter that could make his words difficult to understand whether in Italian or English. It also sent his now-single mother to make dresses, from which he would learn great skill.
Cavalli loved three things: art, women, and wine. Art was almost always behind the purpose of his fashion, but bringing out the sexiness of the female body was behind the silhouettes that graced his runways. And wine? Cavalli never shied away from throwing a party. In fact, the party atmosphere of his fashion shows was pretty much a staple.
Cavalli could be fiercely competitive and one of the fastest ways to get on his bad side was to be wearing Armani in his presence. So fierce was his competitive nature that he would threaten to file suit if his Milan show was within two hours of Armani. He wanted to be the biggest show of the day and throw the biggest party afterward.
While the designer loved seeing a woman in a dress, it was the stretch denim fabric and the resulting jeans that made him stand out. The jeans hugged a woman’s curves in the sexiest way possible, often leaving very little to the imagination. He’d pair the jeans with a daring low-cut top covered in sequins and rhinestones and five-inch tall stiletto heels, They were looks that were impossible to miss and anyone in the know recognized the look at Cavalli’s.
Roberto hasn’t been directly involved with the brand for some time now. With age came the loss of motor functions, making it difficult to sketch, and exaggerating his stutter, making it difficult to communicate. Finding someone to replace him was difficult, though. Designer Peter Dundas failed miserably at the house, failing to understand the basic look of the brand (despite his kind words in Vogue). Eventually, Fausto Puglisi took the creative director’s post and has continued with designs that match Cavalli’s concept of making beautiful women impossible to miss.
Yes, there were some issues with Cavalli as the world changed. The designer loved being around models and that gave rise to accusations that were less than flattering. While I never witnessed anything inappropriate, his personality certainly made it difficult to dismiss the charges, especially those made regarding the ’80s and early ’90s. He kept such matters private, though, and as he aged was much more careful about his interactions with the women who walked his runways.
Cavalli could be gruff and fun at the same time. He might complain about a sample not falling the way he wanted, demanding to know who had done the sewing or why the wrong stitch was used, but in the same instant, say, “Oh yeah, I did this, didn’t I? Maybe I should fire myself.” Everyone would laugh, and then he would remove the piece and either fix the problem on the spot or remove it from the show.
Cavalli was part of fashion’s Old Guard, a group that really only has two or three members left. Younger designers are coming along with new fabrics and ideas that are better suited for today’s women. He’ll be haunting someone, though, if his legend is ever lost behind Armani’s. Be sure of that.
Roberto Cavalli died today at the age of 83. I wish you could have known him. Or maybe not. He was a unique character in the fashion world, his own life shaped by the loss of his father, shot by nazis when he was three years old. That event did two things that lasted: it gave him a stutter that could make his words difficult to understand whether in Italian or English. It also sent his now-single mother to make dresses, from which he would learn great skill.
Cavalli loved three things: art, women, and wine. Art was almost always behind the purpose of his fashion, but bringing out the sexiness of the female body was behind the silhouettes that graced his runways. And wine? Cavalli never shied away from throwing a party. In fact, the party atmosphere of his fashion shows was pretty much a staple.
Cavalli could be fiercely competitive and one of the fastest ways to get on his bad side was to be wearing Armani in his presence. So fierce was his competitive nature that he would threaten to file suit if his Milan show was within two hours of Armani. He wanted to be the biggest show of the day and throw the biggest party afterward.
While the designer loved seeing a woman in a dress, it was the stretch denim fabric and the resulting jeans that made him stand out. The jeans hugged a woman’s curves in the sexiest way possible, often leaving very little to the imagination. He’d pair the jeans with a daring low-cut top covered in sequins and rhinestones and five-inch tall stiletto heels, They were looks that were impossible to miss and anyone in the know recognized the look at Cavalli’s.
Roberto hasn’t been directly involved with the brand for some time now. With age came the loss of motor functions, making it difficult to sketch, and exaggerating his stutter, making it difficult to communicate. Finding someone to replace him was difficult, though. Designer Peter Dundas failed miserably at the house, failing to understand the basic look of the brand (despite his kind words in Vogue). Eventually, Fausto Puglisi took the creative director’s post and has continued with designs that match Cavalli’s concept of making beautiful women impossible to miss.
Yes, there were some issues with Cavalli as the world changed. The designer loved being around models and that gave rise to accusations that were less than flattering. While I never witnessed anything inappropriate, his personality certainly made it difficult to dismiss the charges, especially those made regarding the ’80s and early ’90s. He kept such matters private, though, and as he aged was much more careful about his interactions with the women who walked his runways.
Cavalli could be gruff and fun at the same time. He might complain about a sample not falling the way he wanted, demanding to know who had done the sewing or why the wrong stitch was used, but in the same instant, say, “Oh yeah, I did this, didn’t I? Maybe I should fire myself.” Everyone would laugh, and then he would remove the piece and either fix the problem on the spot or remove it from the show.
Cavalli was part of fashion’s Old Guard, a group that really only has two or three members left. Younger designers are coming along with new fabrics and ideas that are better suited for today’s women. He’ll be haunting someone, though, if his legend is ever lost behind Armani’s. Be sure of that.
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