spring

Art  /  PotD
Aww, Shucks
June 14, 2015

charles i. letbetter

Anything For Art (2011)

“It is unwise to be too sure of one’s own wisdom. It is healthy to be reminded that the strongest might weaken and the wisest might err.” ― Mahatma Gandhi

[one_half padding=”4px 10px 0 4px”]This is strange. We’re beginning a new week and I’m not even home to see it. Great Zeus, I do hope this turns out okay. We’ll take every precaution, of course, to ensure that this #POTD is delivered on time, or at least on the correct day. There are still limits to technology, though, and I’m not entirely sure that when it comes time for this thing to post that I’m going to be where I have a Wi-Fi signal with which to check it. I think I will, if memory serves me correctly, but I’m not 100% sure. We’re camping, you see, somewhere out in the almost-wild-unknown, except for the fact we’re not leaving Indiana.

This is a test, actually. This is only a test. We’ll get around to the real camping later this summer, but we needed to make a bit of a dry run in relatively safe conditions and not too terribly far from home in order to see how the children, to whom I fondly reference repeatedly as bear bait in hopes that the one wild bear seen in Indiana will migrate our direction, will behave given that a year has passed since the last time we dared take them into the woods. We’re not going off the beaten path. There are emergency services nearby should they be needed. This is only a test. But we may not have Wi-Fi.

Actually, as long as our phones work we should be safe, right? After all, this site is mobile friendly, in case you hadn’t noticed, and that friendliness extends to the backend as well. As long as our service provider doesn’t crap out on us and fail to cover an area their coverage map says they have covered, we shouldn’t have any problem making sure this entry posts on time. I’m not even concerned about oversleeping. Why? Bear bait, again. First crack of dawn and they’ll be up, which is why I’m better off writing this well in advance and saving it for Sunday morning. Who knows how little sleep I might get and if you think I’m crazy now you should see me when I’ve not gotten any sleep. I think we’re taking coffee, but who knows if we’ll be able to work the camp stove to heat the water to make the coffee without actually having some coffee first?[/one_half]

[one_half_last padding=”4px 4px 0 10px”]How does any of this relate to our topic this week of missed photos? Easy: I want to emphasize just how simple it is for us to make a mistake and misplace or lose or overlook a photograph, no matter how attractive the image might be. Depending on the day, we may take anywhere from hundreds to thousands of pictures but from those only select a handful for processing and chances are even fewer for public display.  Often, we delete what we don’t use, especially if the photographs are of a sensitive nature from the client’s perspective. But sometimes, the extras just sit there in folders waiting to be recognized. Sometimes they sit there for years. Sometimes they die.

So, we decided to save a handful of those images this week and display them here. None of the pictures you’ll see this week have been processed and shown anywhere else. Each one of these is getting its world premiere right here and you are a witness to that event.

Oh, come on now, you can show a little more excitement than that. After all, the people involved in these pictures have largely forgotten they even exist. Allison here has moved off to Vegas. Hair and makeup artist Christopher Thompson is off chasing ghosts; not metaphorically, mind you, but the real thing that will scare the living daylights right out of you. The least you can do is show some enthusiasm for their hard work. I can promise you won’t come any closer to seeing Allison naked than right here. That’s one lucky corn husk.

I really hope this thing posts correctly. After all this hard work and all the effort that went into making it possible, it really would be a shame if we didn’t get this up in time. Of course, it always makes us feel bad when you miss something. Most the time that’s your fault, though, not ours. You do know you can subscribe and get a reminder in your email, don’t you? That way you wouldn’t miss anything. Assuming we actually get this posted.[/one_half_last]

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Nature  /  PotD
Urban Greenspace
April 18, 2015
charles i. letbetter

charles i. letbetter

Concert in the Park (2014). Model: Laura (L Modelz) Makeup: Danelle French Hair: Anthony Perez  Styling: Nativa Photography assistance: James Thorpe

City planners have long understood the benefit of having large expanses of urban greenspace scattered throughout an urban population. While how that greenspace is used has changed somewhat over the years, a city’s largest parks and outdoor recreation areas are consistently the places where people gather for fun, relaxation, and sometimes meaning.

[one_half padding=”4px 8px 0 2px”]I still remember the first time I set foot in New York’s famed Central Park. I was there for hours and still barely covered a third of the space the park occupies. Coming from rural Oklahoma, I had braced myself for all the concrete and steel of the metropolis, and it wasn’t like I didn’t know Central Park existed. What caught me by surprise was the reality of just how large it is and all the varied ways New Yorkers take advantage of the greenspace, both for good and, sometimes, not.

Central Park was the first such landscaped space in the United States, having reached its current size by 1863. While acquiring that much land in an already immense and densely populated city wasn’t easy, and fraught with political tension, there was little argument that the park was something the city wanted. The greater argument was over who would control it, the city or the state. By 1870, the city won that fight and from there it has possibly become the most famous park in the world, a shining example followed by other burgeoning cities all across the country.

Environmentally, urban greenspace is like gold to a city. The more people that are gathered putting off carbon dioxide, the more we need trees and vegetation to absorb what we produce and provide us with the necessary oxygen to sustain life. While no park totally makes up for the accumulation of millions of people, even small space with a handful of trees has a huge impact. Parks help with flood control, pollution control, stop soil erosion, and help keep down urban temperatures in addition to providing a balanced home for urban wildlife.[/one_half]

[one_half_last padding=”4px 2px 0 8px”]Beyond the ecological benefits, though, urban greenspace provides people with a place to be, a place to relax, to sit under a shade tree and read, to have a picnic with family or friends, to fly a kite, walk a dog, chase a ball, learn to ride a bike, go for a jog, or just enjoy a bit of fresh (more or less) air. While urban living can be exciting and fun, the fact is we miss nature and long deeply to have it around us and to be part of the natural earth. We don’t like being cooped up all day, surrounded by four walls, looking longingly out elevated windows. We need space to get out and roam and explore and stretch.

Many cities have experimented with variations on the greenspace over the years. Some have put in large ponds, streams, or other water attractions. Others have put in playgrounds for children, though most were later removed due to rising insurance costs. Still others provide tennis courts, basketball courts, and little league and softball fields for organized recreation. As soccer has become increasingly popular we’ve seen space reserved for youth and adult league games. Portions of large parks have been converted to major  music venues, offering concerts of all varieties in an atmosphere where one doesn’t necessarily need a ticket to listen and enjoy the music.

Benefits of urban greenspace are endless and for photographers especially they provide countless opportunities to capture seasonal natural beauty while also providing a dynamic backdrop for portraits. So, we end this week’s look at the urban outdoors celebrating the great parks around the country. Let’s go now and enjoy![/one_half_last]

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Photography  /  PotD
Urban Seasons
April 14, 2015
charles i. letbetter

charles i. letbetter

On the Fountain (2010) Model: Danelle French

As with nature, urban landscapes go through seasons of their own, just not as quickly or on as precise a schedule. Changes to the urban environment, both subtle and dramatic, keep us going back to the same locations time and time again, always with different results.

[one_half padding=”4px 8px 0 2px”]Today’s photo is almost five years old, which is difficult to believe in some regards. I still remember with rather surprising clarity the morning of this shoot, Danelle trying to balance on the rocks, the looks of curious drivers on their morning commute wondering what we might be doing. If I were to take her back to Fountain Square this morning, though, the picture would be dramatically different. The entire landscape behind her has changed rather dramatically. This particular area of town has changed seasons, going from a sleepy Spring of quiet, modest change, to a Summer of tremendous growth with some rather dramatic additions to the landscape.

Any time we shoot outdoors, nature’s seasons factor into what we’re doing; the four seasons offer distinctly different looks, but sometimes those changes are not as obvious in an urban environment. If there are no trees on a street, we don’t see whether leaves have fallen or are beginning to bud. Snow is a rather obvious clue, but a sunny day with no people on the street to give us a hint might just as easily be July as December. Seasons take on a different feel when one is in the city.

Cities also go through seasons of their own, from growth to stability to decay and rebirth. Typically, we see those changes at the neighborhood level though occasionally, such as with Detroit, whole city transformations can be obvious. No city wants to be labeled as boring and just the natural wear and tear of use, not to mention the coming and going of business as economies fluctuate, factor into visible changes in the urban environment. While those changes rarely happen within a three-month cycle, thank goodness, they do happen with enough frequency to give photographers different and often unique settings that can be fun to capture.[/one_half]

[one_half_last padding=”4px 2px 0 8px”]Granted, capturing urban changes requires paying a little more attention than is necessary with nature, which operates on a slightly more predictable basis. If one is not “plugged in” to a community, particularly at the neighborhood level, one can be caught by surprise. In unique little places such as Fountain Square, the coming and going of mom-and-pop, single proprietor shops has a dramatic impact on the visual impact of an area. Full window displays communicate a totally different season than does empty space or, worse yet, boarded windows. The addition of a coffee shop where a  bicycle repair business once stood also gives a street a very different feel. Even things such as repairs to the sidewalk make a significant difference from a visual perspective.

Unfortunately, not every seasonal change to an area is planned or positive. When fire takes out a dominant building the entire neighborhood feels the pain and the results are surprisingly visual. Should crime overtake an area, or should a geographically specific economic program end, a once-thriving community may see itself thrust into an unwanted period of winter. New construction might be seen as the “spring planting” season in the urban environment, but street-level disruption might cause traffic congestion and noise that present a challenge.

This week marks ten years since I first moved to and began exploring Indianapolis. Visual changes in the city are dramatic to the point that pictures I took then are practically obsolete, taking on a strange “vintage” feel to them. Every year I look around and find reasons to re-visit places that I’ve photographed before, knowing that I’ll get very different results. Urban seasons are one of the things that make photographing the inner-city outdoors fun and exciting. Look around you and be amazed at the changes. [/one_half_last]

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Photography  /  PotD
Walking The Dog
April 12, 2015
charles i. letbetter

charles i. letbetter

Walking the Dog (2010) Model: Cynthia Schmidt

While being outdoors in nature is a wonderful experience and great place to photograph, the urban outdoors is a far more common and often more complex experience. This week we explore photos that enjoy being outside but in town.

[one_half padding=”4px 8px 0 2px”]It was early on a Sunday morning when we shot today’s picture. Cynthia had contacted me because she had rescued a pup that had been in absolutely horrible condition and now that he was all clean and healthy she wanted pictures with him. Animal pictures aren’t exactly high on my list of things to shoot, though. As cute as they are, they tend to not follow directions too terribly well and shots of them just sitting are rather boring after the second snap.

Looking to put some excitement into the picture, I asked her to take the pictures in her underwear.  Granted, that’s not a request I would make of too many people. Only someone with a lot of self-confidence, poise, and the ability to drop anyone who might make an inappropriate move could pull off this look without a large security staff standing by. The fact that Cynthia looked great walking down that street with the tiny little dog was almost secondary.

Timing and location were critical in making this shot happen. While we weren’t even remotely at risk of an indecent exposure charge, there was a real chance we could be cited with disturbing the peace if we chose the wrong neighborhood. After all, it’s not every day that one sees an attractive young blonde walking down the street in her underwear, especially in the Midwest. Her ability to be a distraction meant choosing a street and a time where traffic would be minimal. I had been watching this particular location for a while and knew it was our best chance at not being disruptive.[/one_half]

[one_half_last padding=”4px 2px 0 8px”]Of course, we still attracted a small amount of attention. There is a coffee shop just behind where I was shooting and being early on a Sunday there were, naturally, a handful of caffeine addicts who desperately needed their morning fix. No one complained, though, and when we stopped by the coffee shop later they were quite complimentary. One barista even asked if we might repeat the shoot on a regular basis, thinking it would help them attract early morning traffic.

Such are the type of things one encounters when shooting outdoors in an urban environment. Like shooting out in nature, there are all the benefits and challenges of light and shadow, but here one also has the addition of architecture, which can be incredibly beautiful to the point of being overwhelming, and traffic, which can be incredibly frustrating to the point of making a shot impossible. There are dangers, to be sure, but there are also some very strong benefits that make the urban outdoors an attraction all its own.

Americans are lucky to live in one of the least densely populated countries in the world. Even our largest cities are dotted with green space and urban planners everywhere are aware of the importance of building aesthetic value into a city’s appearance. Even in New York City, where people are seemingly stacked on top of each other there are places and times one can shoot in peace. We are quite fortunate to have the urban scenery we do and there’s no excuse not to capture it in photographs. Here’s to another week outdoors![/one_half_last]

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Nature  /  PotD
Covered In Nature
April 11, 2015
charles i. letbetter

charles i. letbetter

Covered In Nature (2009). Models: Rose & Emily. MUA & Styling: Kelly Oswalt

Celebrating Spring and Nature go hand in hand. Spring is when nature is at its most glorious so it only stands to reason that now is when we are most anxious to get out and immerse ourselves in its glory and grandeur, taking as many pictures as we can along the way.

[one_half padding=”4px 8px 0 2px”]Kelly Oswalt gets the lion’s share of credit for today’s photo; the concept was hers and she did all the makeup and styling. We even shot in her backyard. Kelly’s concepts often involve nature and she makes those natural elements her subject when she is behind the camera herself. Not everyone understands or appreciates how to work with, in, and around nature, but Kelly does it well.

Bonding with nature is one of those concepts with seasonal appeal. This time of year, I’m drawn to Thoreau’s descriptions of living as close to nature as possible. While there have been many others who have perhaps studied nature more deeply or lived more simply for longer, Thoreau’s gift was relating the connection between nature and life.

“The morning, which is the most memorable season of the day, is the awakening hour. Then there is least somnolence in us; and for an hour, at least, some part of us awakes which slumbers all the rest of the day and night… All memorable events, I should say, transpire in morning time and in a morning atmosphere. The Vedas say, “All intelligences awake with the morning.”

and then later he muses:

“A single gentle rain makes the grass many shades greener. So our prospects brighten on the influx of better thoughts. We should be blessed if we lived in the present always, and took advantage of every accident that befell us, like the grass which confesses the influence of the slightest dew that falls on it; and did not spend our time in atoning for the neglect of past opportunities, which we call doing our duty. We loiter in winter while it is already spring.”

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[one_half_last padding=”4px 2px 0 8px”]While few can afford to do as Thoreau did, building a cabin by a pond and then taking two years to live there and write, Spring ignites in most all of us that urge to “get back to nature,” to be outside, explore, and experience. Our desire to be part of the world, to kick off our shoes, dress down next to nothing, to feel nature as though we were born into it, is instinctive. Human evolution has not lost the primal need to connect with that source from which we originate.

As we’ve seen this week, taking pictures outdoors comes with a host of dangers and challenges. When people are involved, especially, one does not just pick up a camera, shoot leisurely, and expect images of any quality or to not endure some difficulty. Yet, for all the issues that might present themselves, for everything that one might need to consider before going out, just the experience of shooting outdoors in nature is worth whatever trouble might be involved. Even if the pictures don’t turn out as planned, one has spent the time surrounded by and hopefully enjoying all that nature has to give.

Again, from Thoreau:

“If the day and the night are such that you greet them with joy, and life emits a fragrance like flowers and sweet-scented herbs, is more elastic, more starry, more immortal- that is your success. All nature is your congratulation, and you have cause momentarily to bless yourself. The greatest gains and values are farthest from being appreciated. We easily come to doubt if they exist. We soon forget them. They are the highest reality. Perhaps the facts most astounding and most real are never communicated by man to man. The true harvest of my daily life is somewhat as intangible and indescribable as the tints of morning or evening. It is a little star-dust caught, a segment of the rainbow which I have clutched.”

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Nature  /  Photography  /  PotD
Not All Outdoors Is Equal
April 10, 2015
charles i. letbetter

charles i. letbetter

On The Rocks (2012)

Finding that perfect place to shoot outdoors can be difficult and when we do find a place that works we tend to want to keep it to ourselves. Great outdoor locations are almost as valuable, and rare, as gold. Non-photographers think we’re crazy, but experienced photographers know that not all of nature is created equal.

[one_half padding=”4px 8px 0 2px”]Mud. Muck. Gnats. Hills. Rocks. Rough terrain. If one is going to shoot with me outdoors, those are some of the conditions that one is likely to encounter. I’m not one of those people who just hop out of the car and say, “Hey, this would make a good place to shoot!” Instead, I study a location for a while, watch it in different conditions, walk it multiple times if I can, and consider exactly what I can and cannot do there photographically.

Even with all the planning I’m sometimes surprised. More water. Less water. A visiting herd of cows. For all the challenges to shooting outdoors, finding the best location may be the most challenging. Certainly, it requires the most energy.

I couldn’t get to the location where today’s photo was taken if I wanted. With all the rain we’ve had this week I rather doubt there’s a natural tributary in the state that isn’t at or overflowing its capacity. That’s the one draw-back to an otherwise almost idyllic shooting location; one I’ve used several times over the years and almost always with impressive results. Even though the location is public property, it is secluded enough I tend to consider it mine and would probably be a bit jealous if I saw pictures from another photographer taken there.

Perhaps the biggest challenge to shooting outdoors is finding just the right location that works for the time at which you want to shoot. To the uninitiated, it seems that any bright, sunny location ought to work for taking pictures. After all, if we have plenty of light and maybe some flowers and trees in the background, what more do we need? Experienced photographers understand, though, that finding just the right location, one that can be used repeatedly while still generating unique looks, is almost as difficult as mining for gold in the Midwest. There aren’t as many locations running around as one might expect.

Finding a good location is not unlike going on a treasure hunt. One can drive, and hike, for hours, through all manner of conditions, before finding that perfect spot. We don’t want it to be recognizable, because then everyone else will want to use it. We want our pictures to be unique and that means having locations different from where everyone else shoots.

Understand, there are thousands of locations where one can take a good photograph. The challenge is that for most of those locations one good, usable image is all one is going to get. No one needs a portfolio where all the photos look the same. Things such as notable landmarks, unique trees, and recognizable gardens are fantastic for that one shot, but don’t provide the long-term use for which we ultimately look.[/one_half]

[one_half_last padding=”4px 2px 0 8px”]Everyone has their own opinions, of course, but here is what I look for in a good outdoor location:

  • Flexibility. Can I get more than one look out of a location? If I shoot from different directions and different times of day does it look like a different place? Does it work both morning and evening? How does it look during different seasons? The more I can get out of a location the more valuable it is.
  • Lighting. Sure, most any outdoor location gets light, but is it the right kind at the right time? Are there barriers between me and the sun? If so, do they make good filters? Is direct light the only option or is reflective light available as well?
  • Background pollution. Look toward the horizon and what do you see? If it is anything other than trees, clouds, and maybe a mountain, we have a problem. Power lines are the most frequent offenders, but randomly visible rooftops, or hints of urbanization in an otherwise forested setting reduce the visual impact.
  • Access. Is the location public property that can be accessed legally at any time or is it private property for which one has to obtain permission? Used to I would fudge this one, but as private property laws have changed in many states I no longer consider it worth the risk. I prefer public property whenever possible and will ask before shooting on private property.
  • Traffic. If I can get to a place, other people can as well. How well trafficked is the location? Do we need to watch for people in the background? Might people stand around gawking? I don’t exactly enjoy an audience.
  • Remoteness. How difficult is it to get to the location? The image above required a little over a mile’s hike, which is fine for a location where I don’t need additional equipment. Being remote means better privacy, but also means more difficulty getting help if something goes wrong.
  • Peacefulness. Very much a personal preference, is this a location I would enjoy even if not taking pictures? Would I just sit and read a book here? Is the place one I can enjoy just being? Such qualities inevitably transfer to the photos.

Every picture tells a story and we want every story to be different but having to find a new location for every outdoor concept is time-consuming and often frustrating. Finding one that offers multiple options all year long is like finding treasure.

And no, I’m not telling where mine are.[/one_half_last]

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Nature  /  PotD
Stormy Weather
April 9, 2015
charles i. letbetter

charles i. letbetter

Color of Spring (2012)

Nothing adds drama to a photograph quite like dark, brooding, rolling clouds in the background. Capturing those clouds, without resorting post-processing trickery, is rather challenging. By the time clouds get as dark and ominous as we might want, chances are the weather is getting feisty and that’s not a good time to be taking pictures.

[one_half padding=”4px 8px 0 2px”]Rain was still about an hour off the afternoon we took this picture. The model only had a short window of time available but was anxious to get pictures of the dress she had created for a competition. She wanted the pictures outdoors and the weather was perfect for getting the level of drama she desired. We weren’t out long, maybe thirty minutes max, but that was enough to set my weather anxieties on edge.

Growing up in Kansas and Oklahoma, one learns a lot about weather; it’s a necessity of survival. Weather forecasting back then was still in the relative stone age compared to the computer-driven real-time analysis available to meteorologists now. No matter how much one knew about the weather, usually the best tool in forecasting was having a large window through which one could look out. We were taught to respect, not fear, bad weather. Tornadoes could be avoided with some precaution, we were told. What we had to watch out for was lightening.

Stories abounded of people getting hit by tree limbs or knocked out of fishing boats because of lightening, but the incident that really drove the danger home was Johnny Bill. I met Johnny Bill (yes, that was his real name) through his grandparents my final year of college in 1983. He was the type of kid grandparents took pride in introducing to everyone. He was tall, athletic, an unruly shock of ginger hair on his head, and the kind of kid that attracted a following of little girls no matter where he went. He was intelligent, polite, and extremely kind.

Football season was still young. After school practice was critical, but Oklahoma high school coaches had strict policies about weather. Playing or practicing in the rain was acceptable, but at the first sign of lightening everyone was to be off the field. So it was this Thursday afternoon. Storms were still several miles away it seemed, but at the first rumble of thunder the coach called practice and sent his team toward the locker room. Johnny Bill was crossing the endzone, his helmet in his hand, when lightening hit. He and two other players fell to the grass. The other two slowly got up. Johnny Bill didn’t.[/one_half]

[one_half_last padding=”4px 2px 0 8px”]Two weeks passed and then stretched into a month. His family, the school, and the entire community prayed. Hard. Doctors did everything they could to relieve the pressure on his brain, but he had taken a direct hit, effectively burning out his entire nervous system. After several weeks, the decision was made to remove Johnny Bill from life support and he passed within minutes.

A lot has changed in meteorology over the past 30 years. I’m sitting here this morning knowing that storms are, once again, on their way. Where, when, and at what strength is hardly a mystery, though. I can watch my phone and see exactly the same information meteorologists see. I know upper level wind speeds, I can see barometric pressure readings, and radar has real-time accuracy. I don’t have to wonder whether it is safe to go out. I’ve known all week, in fact, that today’s weather was going to be rough, so we didn’t schedule anything outdoors.

Would it be tempting to take advantage of the dark clouds I know will be rolling in this morning? Sure, tempting, but stupid. By the time the dark clouds are most photographable lightening is likely at its most ferocious. Just because it sounds like it is still miles away doesn’t mean the next strike won’t be right on top of you.

For that reason, I’m not bothered too much by photographers enhancing skies in post-processing, provided it is done well. I would much rather see a carefully used photoshop brush than an obituary notice. Little of what photographers encounter has the ability to be lethal, but lightening is one element of nature that’s never worth the risk. Please use some common sense before going out into stormy weather.

And perhaps consider learning how to photoshop clouds really well.[/one_half_last]

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Nature  /  Photography  /  PotD
Spring, No Filter
March 12, 2015
charles i. letbetter

charles i. letbetter

[one_half padding=”2px 4px 0 2px”]Photography continues to morph as a medium. Since its inception, definition of what is or is not a photograph, how pictures should be taken, and what qualifies as “good” has been a subject of constant debate. There are those who live and die by the rule of thirds. Others consider clarity the defining element. Some accept almost anything as long as it is creative.

One of the most significant changes in photography over the past five years has been the rise of image-based social media sites such as Instagram and Tumblr. They have changed the concept of what photography is, what it does and its place in society. Even the vocabulary has changed with terms such as “selfie” and “no filter” having entered the popular lexicon.

Our picture of the day qualifies as a “no filter” shot. Now, you’re going to look at the picture and think I’m lying. If ever an image had been run through a half-dozen Photoshop filters, this would be it, right?

No, not a single one. I didn’t even color correct. This is straight out of the camera, taken on a lovely spring day in 2011. So, how did we get this interestingly abstract look without post-processing manipulation? By knowing our camera and working a bit outside the bounds of “normal.”

I’m going to get a bit technical here, so those uninitiated might want to grab a dictionary.

Aperture and shutter speed made all the difference in the world with this shot. When working with nature, we often want the crispness that comes with a tight aperture, typically f10 or higher. For this image, we pushed all the way to f32, which was about as small as this particular lens would take us. At any lower setting, we would have lost all definition completely.

The challenge, of course, is that when one makes the hole allowing light into the camera so very small, an adjustment has to be made somewhere else to compensate, otherwise the image is too dark. Our choices are ISO, which affects the light sensitivity of the capturing media, or shutter speed, which determines the length of time the shutter is left open. In this case, we chose a significantly slower shutter speed of .3 seconds.[/one_half]

[one_half_last padding=”2px 2px 0 4px”]In almost any other conversation, .3 seconds would be incredibly fast. Anything under a second is pretty quick, isn’t it? Not always. Depending on the lens and environmental factors, shutter speeds are normally faster than 1/100th of a second and if we’re attempting to capture a moving subject we’ll need to be significantly faster than that. If we’re at the Speedway, shutter speeds of 1/5000th are not uncommon. By comparison, .3 is crawling.

The final element is one that may seem counter-intuitive: motion. Typically, one would use a tripod with such a slow shutter speed and perhaps even take other precautions such as a timed or remote shutter release to prevent motion blur. Motion blur is what makes this image, though. By pre-determining the direction in which we would move the camera, its angle, and the distance of the motion, we were able to give the image the desired amount of abstraction while still leaving a subtle hint as to what the subject actually is.

No, we didn’t get it right the first time. Or the second. Or the third. This image is half-way through a set of 26 photographs. There are others that are equally interesting, but this is my favorite of the set.

As warmer temperatures finally begin to return to the Midwest this week, now is the time to reacquaint ourselves with the outdoors. We enjoy going for walks, hiking along trails, or perhaps even sitting under a tree and reading a good book. Now is also a good time to get reacquainted with one’s camera and some of its

Now is also a good time to get reacquainted with one’s camera and some of its unique capabilities. Go outdoors. Go off tripod. Experiment with settings that aren’t supposed to work and see what you can do to create truly original images.

While the social media definition of “no filter” means going without post processing manipulation, why not also use this opportunity to take any filters off your creativity? Let your mind wander. Turn your imagination loose with no limits as to what might be possible.

Spring is the perfect time to strip away the filters, both in terms of photography, as well as life. Get out there. Discard the restrictions. Play. Risk. Fail. Try again. You may find yourself taking some of the best photographs ever.[/one_half_last]

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