Americans try to talk about positive family values, although the actual state of things is disastrous.—Vladimir Zhirinovsky
Everyone loves their family, and every family has values; but if you’re saying your family is better than mine, we have a problem.
At 81, Sophia Loren is proof positive that real beauty and elegance never fade. The actress that stunned in The Houseboat and won an Oscar® for La ciociarau in 1962 is still every bit as stunning in the new fragrance ad (please, don’t call it a short film) for Dolce & Gabbana‘s Dolce Rosa Excelsa. Whether she’s brushing on paint while wearing a white button-down shirt or gracefully descending the stairs in a black lace dress, Ms. Loren still possesses the ability to outshine every other model on the planet. Her appearance in the 90-second piece is exquisite.
The move plays right into D&G’s spring campaign that casts a number of grandmothers as the featured models, and that on the heels of a fall/winter runway show that emphasized mothers. Domenico Dolce and Stefano Gabbana have figured out that appealing to a woman’s maternal instincts is a great way to sell clothes to the whole family. You can’t fault them for a unique marketing plan that is working even better for them than it did for Sears & Roebuck back in the 1960s. Yes, you read that correctly; I just compared Dolce & Gabbana to Sears. If you just had a Brady Bunch flashback, you’re welcome.
While all the family values marketing seems sweet, however, one would be naive to think that it is being promoted only to sell clothes. Not hardly. While both designers are openly gay and have, in the past, been in a relationship together, their interview in Panorama last year presented a very narrow and non-inclusive view of family. Specifically, Domenico claimed that there is a sharp division between children conceived and “born to a mother and a father” versus “children of chemistry, synthetic children. [Products of] uteri [for] rent, semen chosen from a catalog.” Never mind that a very large number of heterosexual couples have to use in-vitro fertilization to have children just the same as a gay couple might. Dolce goes on to say, “I am gay, I can’t have a child. I guess you cannot have everything in life. Sometimes it is beautiful to be deprived of something. Life has a natural course, some things cannot be changed. One is the family.”
Such views clash with what we see in the film as the well-muscled young models helping Ms. Loren revitalize an Italian villa take a moment to lose their shirts and play in the water hoses. Depending upon one’s orientation, this might be gay, or it may be a straight girls wet dream. Either way, it is a strong juxtaposition to the more right-wing, traditional family values tone D&G prefers to espouse publicly.
In the final scene of the film, Loren’s real-life son, Edoardo Ponti, presents a rose to “Rosa,” played by model Kate King, who then presents the same flower to Ms. Loren. All this seems so very lovely as though perhaps leading up to a big Italian wedding (don’t bother, ladies, Edoardo is married with two children). For 90 seconds worth of add, there are family values oozing from almost every frame. Too bad Dolce & Gabbana doesn’t see fit to make room for the entire family. Perhaps they’d prefer all those non-traditional family members shop elsewhere.
Here’s a look at the full commercial.
https://youtu.be/K6pdNpNgmtg
Don’t get me wrong, I’m all for family values and I think the commercial is beautiful and Ms. Loren was the perfect choice for the role. However, I prefer family values that include everyone, not just someone’s exclusionary view built upon antiquated mythology. Perhaps, eventually, D&G will find a way to include the whole family.
When The Fairy Tale Ends
Happiness is like those palaces in fairy tales whose gates are guarded by dragons: we must fight in order to conquer it.—Alexandre Dumas
Not every day is a good one, nor should we ever expect them to be.
One of my dear friends, Jane, whose birthday I missed yesterday and who writes a most wonderful blog, frequently reminds her students that the versions of fairy tales they see presented by Disney and the like are not true. When Hans Christian Anderson wrote The Little Mermaid, he justifiably kills his title character at the end; that’s right, the little mermaid dies. In the original telling of Cinderella, the evil stepsisters have their eyes plucked out. The tales penned by the brothers Grimm were bloody, vicious and violent. Why? Because such stories were meant to be cautionary tales, warnings against dangerous, self-centered, and inappropriate behavior. Life is not fair, the stories warn, and happily ever after is a myth.
This week has been a painful reminder of just how unhappy life can be. People we have admired, who have entertained us, who have sacrificed for us, who saved our lives, have passed on. Not just one or two people, as we are rather accustomed to hearing, but several people of some noteworthiness, have left us. Here’s a partial list, in case you weren’t paying attention:
All those people, gone in the span of seven days. There were more, of course. Many died whose names are not so familiar to us. On Friday, a terrorist attack on a Burkina Faso hotel left at least 28 dead, including an American missionary. All around the world, in every hospital in every city, families gathered as loved ones, some old and suffering, some never really having a chance at life, moved on.
So much for a fairy tale with happy endings. This week seems to have gone out of its way to show us that there is no “happily ever after.” Even the lives that seem the most wonderful and glamorous, those who appear to have everything in the world going their way, still die.
What, then, shall we do when the fairy tale is over? When we have run out of tears to cry and are weary from mourning, how do we face this incredibly cruel world? Any good reader should know the answer to that question. When one fairy tale ends, you start another. Tragedy is the platform upon which the foundation of comedy arises. The ending of one story, or one set of stories, prepares us for the beginning of the next.
Yes, it is true that even the next story likely ends with its main character’s demise, but every story is worth the telling. There are lessons to be learned even in the most heart-breaking situations. We do not stop here. We keep going.
I have been distantly following the continuing saga of Cory and Joey Feek, as have millions of others. I’m not going to sit here anre pretend that I was ever a fan. I’m not big into contemporary country music, and until their lives took a tragic turn I’d not even heard of them. Now, it appears that Joey’s story is nearing its end. When it does, headlines will focus on the love of a mother for her daughter, and a husband for his wife, and many will share in their grief. What’s important is that we realize that there is a story that goes onward. Their daughter, Indiana, is just beginning her story, even as her mother’s is ending.
While it is easy to become emeshed in the stories of others, however, we must remember that we are the ones writing our own stories. While our tales may be entertwined with those of others, we are ultimately the authors of our own fates. Even in circumstances where we might not have control of when or how our story ends, we still decide through the way we live and the decisions we make whether our fairy tale is tragic or happy.
2016 seems to be getting off to a very rough start, but perhaps this is this universe telling us that we need to focus more on the future, not the past; that we should focus less on the lives lost and more on those still living. Not that we don’t remember those who have died, but we realize that their passing is but the end of a chapter, not the whole book. The fairy tale is not over. There is so much more to be written and it is up to you to do the writing.
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