There is no need for temples, no need for complicated philosophies. My brain and my heart are my temples; my philosophy is kindness. —Dalai Lama
I learned a long time ago that I can’t please everyone. There are a few people, fewer than five, who seem frustrated that I don’t write more about photography since that is mostly what I do. I suppose I could do that, but I’ve always operated under the premise that if one is reading about photography one is not doing photography and the only real way to improve is to do, not read. When I do write about photography, I want it to be something that is genuinely helpful.
What I’ve noticed, though, is that in those moments when I consider doing something crazy like writing a book, the outline itself seems sufficient instruction. If I were to title a chapter with something like, “Understanding Depth of Field,” what else is there to say except that the larger the aperture, the smaller the number, and the shorter the depth of field. There, done with that chapter. You’re welcome.
Okay, so I can BS my way through a thousand or so words on just about any topic, but is that really helpful when, if you want to improve your photography, you have to get out and shoot; that’s the only way anyone gets better. You can read all the damn books by all the “experts” in the world, but if your camera is not in your hand, if you’re not snapping regularly, if you’re not taking risks and trying things out differently, you’re not going to improve.
I’m no longer shooting anywhere near as often as I did four or five years ago and while I’m still not exactly “okay” with that, I’ve come to terms with the reality that my body hates me. We have a working relationship in that my body doesn’t especially like me working and lets me know when I’ve gone too far. Actually, if I could get more shoots in between 4-6 AM, we might be more productive, but there aren’t many people willing to shoot at that hour. Having plenty of time to step back and think, though, has allowed me to re-asses my philosophy of photography and make some changes.
Philosophies come and go and none of them are ever iron-clad; they’re circumstantial at best. Philosophies are based on a specific perspective to a specific reality and as both the perspectives and the realities change, so do the philosophies. As a result, philosophies held by other people are of limited value. Their perspective isn’t going to be the same as yours. The reality is not going to be identical to yours, even though you might share significant portions. Philosophies are valuable to other people only as guides in helping them establish their own.
I’ve held enough different philosophies of photography to fill a terabyte hard drive. Could I talk about each point at length? Yes, but I’m not sure what purpose that would serve. If you want how-to articles, there are plenty of those spanning different topics at Peta Pixel and PDN. Neither link is an endorsement, mind you, just two obvious resources. All I’m giving you are bullet points. Use the contact form if you have questions or hit me up on Facebook.
- Photography is a means of communication. When you take a picture, you are saying something. When you share a photo, you are broadcasting a message. Think before you talk.
- Photography is a visual language and just as we don’t all speak English we don’t all take photographs the same way. That’s good. Diversity opens all our minds.
- Sometimes we have a lot of pictures to serve as our vocabulary, but we don’t always know how to put them together into cohesive communication. Learning to curate our photos before sharing them is important.
- Just because someone else did it doesn’t mean you can, or should. Find your own distinct look and play to that.
- Any camera that takes pictures is a good camera.
- Every once in a while, stop what you’re doing and shoot dirt. Choose a common element, such as a tree or a dandelion, and find a way to make it interesting. Keep the creative juices flowing.
- Don’t over-think any situation. Details can distract you from the creativity and artistry of the shot. Focus on the major elements and then shoot.
- Shooting nudes is to photography what figure drawing is to a traditional art education: fundamental. To not study the human body is to be unprepared for shooting a clothed one.
- Protecting the rights of photographers to shoot without interference is your responsibility, even if you never leave your own studio.
- Beauty is built upon flaws. There is no such thing as the perfect photograph. Play to the quirks, the oddities, and the imperfections of a subject.
- The world sees photography as a commodity. The only way to change their mind is to take pictures that are not common.
- Photography has the ability to tell a harsh truth and that scares people. Don’t be afraid to take those pictures. Sometimes people need to be scared.
- Censoring photography is like putting a gag in someone’s mouth. Just because someone doesn’t like the message doesn’t mean they have a right to control it.
- Photographers own the rights to their pictures just like a speaker owns the rights to the words coming from their mouths. Limiting the rights to a photograph because of who is in it is like limiting the rights to a novel because of the words the author used. Stepping in front of a camera does not give anyone rights to that image.
- Giving up rights to a photograph is a weakness.
- Neither taking a photograph nor being in a photograph gives either side the right to bully the other.
- Think with your eyes, see with your camera.
- Criticizing photographs is a waste of time. When examining a photograph, there are but two questions: Did you capture what you wanted? What would you do differently? Everything else is a matter of one’s creative taste.
- Saying one understands the whole of photography is like saying one understands every language in the world: you don’t. Photography is too broad, too complex, and too individual in its details to be consumed as a whole.
- One doesn’t need friends who limit one’s work. One needs friends who will stand/sit/lie naked in front of your camera while one searches for an angle.
- The value of a photograph is not in the subject but in the photographer’s ability to tell the story of that subject in a single frame.
- Just as mountains are millions of years old, there are an equal number of ways in which they can be photographed.
- Light introduces us to a subject; shadows tell the story.
- Morality in a photograph lies not in its content but only in the mind of the person viewing it.
- To be jealous of someone else’s photography is to demonstrate the need for one’s own improvement.
- Displaying a photograph in both color and black and white is like telling a story from two different perspectives; one is the three little pigs, the other is the wolf.
- Technology and digital camera works open the field of photography to a whole new realm of exploration which we’ve not yet begun to understand.
- Never share a picture that didn’t first make you feel something.
I’m going to stop there. I’ve probably already exceeded the point of interest for the vast majority of people. Philosophies become boring the longer one is forced to stare at them. Consider what your philosophy might be. You don’t need to write it down, just think about it then pick up the camera and start shooting.
Philosophies don’t take pictures. Photographers do.
Silent Crimes: The Dark Reality Behind the Façade of Project 2025
Twenty-plus years ago, a woman walked into a nightclub wearing only a trench coat and high heels. She was well-known in the club. Several people knew what she did for a living. Those who knew her as a person knew her to be kind and engaging. I knew her to be shrewd, cautious, and calculating. She did nothing “on a whim” or by accident.
A man who I knew to be a close friend of my editor walked over and said, “I’ll give you an extra $100 if you can get a shot of her with that coat open.”
My stomach turned. “What makes you think I don’t already have it?” I asked.
He laughed and walked away. I went outside and sat on a bench on the front patio. It was late, well after 1:00 in the morning. I was tired. My feet hurt. I could leave and catch a quick nap, but I’d have to be back up by 6:00 to get the boys off to school. I was being paid to stay until at least 2:00, though. The club had a reputation for being the place for the after party after the after party and it was well known that a couple of hip-hop names were in town recording at Usher’s studio. Heaven forbid I miss that if it happened.
The club was all but empty, maybe 20 people scattered, milling around. I had just closed my eyes when I felt a kiss on the top of my head. She sat on the opposite end of the bench, crossed her legs, and lit a cigarette. “You can go on home,” she said. “I won’t tell.”
“I don’t want to miss that late-night action,” I said as I stifled a yawn.
She shook her head. “They’re not coming. Not tonight. I drove by and there were way too many cars at that studio. They’re not going to record a damn thing tonight with that crowd. You’re safe. They’re more likely to hit a Waffle House around 5:00.”
I watched as she took a long drag from her cigarette. “Then, what has you out on a Monday night?”
Another hit on the cigarette before she put it out on the cobblestone floor and lit another. “What do you think?”
“I think you’re being a tease,” I said. “You’ll hand out a few cards, sit here and make the drunks think they have a shot, and then leave just as alone as when you arrived.”
“You’ve been watching,” she said with a grin.
“You’re kind of hard to miss,” I replied, “especially when the club is this empty.”
Her cell phone rang. She pulled the brick from her coat pocket, looked at the number, then rolled her eyes and sent the call to voice mail. “You know, you may be the only one here who knows what’s under this coat.”
“A heart?” I asked.
She looked at her cigarette and flicked the ash off the end. “A human. Honest. Feminine. Probably too damn nurturing for my own good. People see the coat and they think they know what’s there: a high-priced hooker. A drug habit. A homewrecker. A menace to society. Even my clients think that. If they didn’t they wouldn’t be clients. They want a lie, they want something dirty because that’s who they are. They don’t give a shit who I am as long as I spread my legs, take their cash, and don’t tell their wives, board members, or constituents.”
She put out the second cigarette and lit a third. “By the way, that new guy running for mayor that the papers are buzzing about? Don’t bother. He’s dirty money. Feel free to pass that word along. He thinks he’s being shrewd but he’s got way too much laundry and sooner or later someone’s going to recognize his shit-stained tidy whities and his campaign will be over. Month tops, I promise.”
I pulled out some paper from my camera bag and made a note. “Wasn’t he standing next to a preacher just yesterday morning?”
She laughed. “You know as well as I do that every church with more than 300 members is on the take. Hell, you want to know where the bodies are buried? Most of them are in the foundations of those megachurches they keep building. But they want to tell folks that I’m the problem.”
The club’s owner walked by and tapped my shoulder. “Vice is about to hit that new club on the strip. You probably want to get out of the neighborhood before they have all the roads blocked.”
“Do I want to know how you know that?” I asked.
“Just word on the street,” he chuckled. “You know how Republicans are. They want to make sure you see them ‘cleaning things up,’ but not the bribe they took to take down an honest business. Third one this month. He’ll lose his liquor license. The club will close for a week and then come back with ‘new owners.’ It’s all a game.”
“I should probably become invisible, too,” she said as she put out the cigarette.
She walked away as I gathered my gear. “Boss isn’t going to be thrilled. Not a damn thing tonight we can use,” I said as the owner watched her leave.
“Someone told me her daddy was a preacher,” he said as the front door shut behind her.
“Yep, his deacons were her first customers,” I said, “when she was 14. They had to leave town when one of their wives found out. Same thing in the new town, though, and the one after that. She even went to a Bible college on a ‘special’ scholarship. Her dad committed suicide a couple of years ago after a whole human trafficking ring was uncovered. They were using the church to get women into the country illegally.”
“That’s sick,” he said. “What about her mom? Was she in on it?”
I shrugged. “I don’t know. She doesn’t talk about her.”
He turned and looked at me. “So, how do you know her so well?”
“We used to go to the same church,” I said.
Why am I sharing this story? Because I was reading over Project 2025 and the same people who are behind that were the people in her Dad’s church, and the college, and the police department. They’re still there, in the churches, city halls, state legislatures, and all the little places where they can wield big power and hide their crimes.
They must be stopped. I have too many stories like hers.
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