Our culture is more shaped by the arts and humanities than it often is by politics. —Jim Leach
There is a conference taking place in Malta right now involving arts and culture organizations from all over the world. The World Summit On Arts And Culture includes participants from every populated continent, people dedicated wholly to preserving the future of the arts and the cultures they represent. Interestingly enough, this is one international program where the United States is sitting mostly on the sidelines. Yes, National Endowment for the Arts chairperson Jane Chu did speak this morning, but the only other American organization on the very full speaking schedule is Robert Lynch, CEO of Americans for the Arts late tomorrow. The conversation is very diverse with points of view from places whose cultures and arts have long been overlooked by the Western arts community.
From the summit’s website:
The focus of the 2016 World Summit on Arts and Culture, will be on Cultural Leadership in the 21st Century. The arts and culture can be considered to be at a crossroads – faced with many challenges and opportunities at the global, national and local level such as: the impact of new technologies on the production and distribution of cultural goods and services; threats to global security; new patterns of migration; changing contexts at the national level including austerity measures and continuous requests for reform; aspirations from artists and culture operators to extend their impact and outreach to other sectors, while also struggling to guarantee freedom of expression and ensure cultural diversity.
Relying On The Voice Of Others
I really can’t comment too terribly much beyond this point because I’M NOT THERE! Sigh. No one ever wants to send me to the fun stuff. I could volunteer to be shot at and be accepted right away, but offer to be involved in conversations about how photography factors in arts and especially non-Western cultures and nooooo, I’m still sitting here at home. Fortunately, though, those who are participating have been very active on social media, especially Twitter. There is also a discussion paper that covers many of the issues addressed today and tomorrow. The paper’s quite academic so you’ll most likely need to give it multiple reads. However, there are some gems from that document that are well worth quoting here.
… the cultural leader is an agent of change who contributes to cultural development in their country, Discussion Paper 21 Ayeta Anne Wangusa region or continent. The cultural leader does this through visioning and building relations with partners to address systemic challenges resulting from our colonial history and the current globalisation era. It is also about conserving our intangible heritage for posterity, as well analysing the underlying belief systems of Africa and their interaction with the Global North and Global South, to promote social cohesion and sustainable development. —Ayeta Anne Wangusa, Executive Director of Culture and Development East Africa (CDEA)
What is urgently needed today is leadership which promotes dialogue for new governance, collaboration and coproduction endeavors with civil society and cultural movements. —Lucina Jimenez, Director General of ConArte Internacional
Voices Not Expected
One of the areas we tend to dismiss when discussing arts and culture is the Middle East. We do so out of great ignorance. The regions where war is most commonplace are also homes to great troves of artistic and cultural importance that have influenced artists, writers, playwrights, and politicians for centuries. Many of these artifacts have been recently destroyed and preserving them seems almost impossible. I found these statements from the discussion paper most interesting.
I n Arab cultural scenes with no or overpowering art infrastructures, small and short circuit networks formulate; friendships sustain some of the bonding. Within these networks, collaborations force themselves on individuals; time is limited, shifting dramatically, and so are the identified resources, therefore sharing or teaming up allows being in and outside of a production process. There is no continuity for those who fall out of these processes. Personal, or collaborative, collections of notes, writings, ephemera, accesses, experiences and interests in miniscule histories are the sites of intervention. There is still a huge discrepancy in sustaining rights; to access, to copy, to say, to stay, to object, to reject, to exit.
…
A cultural leader is not a state, but its policy; is not an institution but its dynamic; is not a community, but its bond; is not a social (media) space, not a financial model, nor a future built by forecasts, but their logic of probabilities, that could continue to enhance our working models. —Ala Younis is an artist, trained as an architect in Amman.
Wait, There’s More
The discussion paper is quite full of perspective that should yank us from thinking exclusively about local perspectives and open our conversations more to immigrants bringing their culture and artistic perspective to us. Consider these examples:
In Asian cultures there is a long tradition of artistic creativity as communal, rather than the individual specialist called artist, and in many Asian societies there is no word for artist.
…
Lopsided emphasis on left brain thinking stunts creative imagination. It is unfortunate that many Asian countries inherited educational systems from the industrial revolution of eighteenth century.
…
Cultural leadership, especially in education and official policy, should be able to promote not only the intelligence quotient, but intuitive, creative intelligence and all other intelligences that enrich the creative imagination. —Felipe M. De Leon, Jr., Chairman and Commissioner for the Arts of the National Commission for Culture and the Arts, in the Philippines
Cultural leadership is not only the implementation of concepts and theories from the business world into the cultural sector, but – like the concepts of cultural management and cultural entrepreneurship – it has also to do with the creation of social value by artists and organisations and how to balance managerial effectiveness with artistic value for society.
…
Regardless of how and where these challenges emerge, indisputably leaders will be required for the cultural sector. The cultural sector now has little choice but to respond: the present challenges of new media, changing audiences, dwindling public funds, and a decline of historical awareness are merely the next steps in this continuing pathway. —Annick Schramme, President of ENCATC, the European Network on Cultural Management and Cultural Policy
What I’m Missing
While justing being in Malta this time of year would be nice, what I’m missing are the voices of incredibly talented and intelligent people as they discuss ways to make sure the arts and culture continue to develop throughout the century in the face of numerous obstacles. Participants posting from Twitter give us just a taste of those conversations.
You have to be an activist to become a political artist. – Chandraguptha Thenuwara on #fake political art #artsummitmalta
— Perduta Gente (@PerdutaGente) October 19, 2016
Kelli McClusky: Self-censorship happens all the time. Especially when funding is cut without reason or sedition laws enacted #artsummitmalta
— Esther Anatolitis (@_esther) October 19, 2016
Do artistic interests drive this agenda, or are arts & culture being instrumentalised to achieve other goals? #ASEFculture #artsummitmalta
— ASEF Culture360 (@culture360_asef) October 19, 2016
Yvonne Donders: I believe in the universality of human rights but not the uniformity of human rights. Dignity with diversity #artsummitmalta
— Esther Anatolitis (@_esther) October 19, 2016
“She was so poor she didn’t have anything more than money” @SergioMautone #artsummitmalta
— Lucy Hannah (@LucyHannah19) October 19, 2016
I could, of course, go on and on and on. You wouldn’t read them if I did, though. If you’re interested in more, search #artsummitmalta for current tweets coming from the summit.
We have thousands of arts organizations scattered across the US, most of which do absolutely incredible work. We need these larger conversations, though. Art and cutlture is not merely a local experience, but a global one. The questions and challenges are universal. We need to grab hold of these conversations and push them forward.
And maybe next year I can hid aboard a tramp steamer or something and actually participate.
Try A Different Angle On Thanksgiving
Tired of doing things the same way every year? Try out something a little different.
Nope, we’re still not ready for Thanksgiving. Not quite. Kat or I will be making another trip to the store this evening to gather the final bit of supplies we need to get us through the weekend. Once we’re all home Wednesday evening, none of us are planning on leaving before Saturday at the earliest. That means that, in addition to everything for Thursday’s dinner, we need to make sure we have other food and supplies for the rest of the weekend. Having everyone home all day is challenging.
When we think of Thanksgiving we tend to think of tradition. Much is made of what they did or didn’t have 400 years ago, and then family traditions fall on top of that. Some people run in early morning races so as to prove their insanity. Other families spend time helping to feed the poor and homeless, which is a noble gesture requiring that one must have children who listen and obey. I have no idea what that is like. I have even met people who spend the day in protest. They find something to fit on a placard every year. I’m just assuming they’re all being unlawfully mistreated at Standing Rock this year.
For me, however, there are really only two traditions that matter. The first is to make sure there are enough leftovers so I don’t have to cook on Friday. I’ll cook the hell out of Thursday, but Friday I’m sleeping the entire day. The second, however, is to not follow tradition but to do at least one thing different; something that we’ve never done before. There are a lot of ways to be different, of course, but they generally fall into three categories: a different place, a different food, and different people. Let me give you some examples.
A Different Place
For us, this will be the first time Kat and I have stayed home for Thanksgiving. We usually would go to her Mom’s for the holiday, but Little Man’s birthday is this week as well so we’re doing birthday/Thanksgiving over there on a different day. This means we get to just enjoy/endure each other on Thursday. Big Gabe, my 18-year-old, said he’s pretty sure this is the first time he’s not gone anywhere for Thanksgiving, and he may be correct. He wasn’t born yet when I was on this roll of doing exotic meals for the holidays. Any other time we were at one grandparent’s house or the other. So, just the idea of staying home on Thanksgiving is a bit awkward and certainly different.
Over the years, though, we have utilized some other non-traditional locations as well. Back when our entire extended family would gather in Wichita, no one had a house big enough to even begin holding us all. So, we rented enclosed facilities at different city parks as long as at least a couple of our parents were still living. The facilities would include stoves and ovens and sinks so we could cook those last-minute items that are only good when fresh. Meanwhile, there was always plenty of room to toss the youngsters outside so they could run off energy and build up an appetite for the meal. After Poppa got to where he couldn’t make the trip, we used the great room of the retirement facility where they lived, invited others there to join, and had a wonderful time sharing Thanksgiving with older people who had nowhere else to go.
There are plenty of options if one just looks around a bit. Some, you do your own cooking. Others, someone else cooks for you (though those options tend to be more expensive). Either way, if you don’t want, or for some reason are unable to do the traditional family thing and the traditional family place, look around. Try someplace different. You might discover a whole new tradition that’s even better.
Different Food
I mentioned above about going through a period where I insisted on preparing exotic foods for the holidays. I drove my family nuts with that one. Both sides were always very traditional and they just couldn’t wrap their heads around not having turkey and dressing and green bean casserole. In fact, my former mother-in-law actually brought green bean casserole with her one year because she knew that I wasn’t going to fix any and could not stand the thought of a Thanksgiving without it.
Here’s the thing: you don’t want what they had at the first Thanksgiving. It was dry. It was gamey. Even the vegetables didn’t taste anything like what is on our tables now. So, just throw out that whole idea of a “traditional” Thanksgiving menu and have some fun with it. We’ve had duck (which no one liked as much as they thought they would), we’ve had cornish hens (look,everyone gets their own turkey!), and we’ve even had venison (just don’t play a video of Bambi for a couple of weeks). There are plenty of options.
Where the fun comes in, I think, is with the side dishes. Sure, we can have potatoes, but let’s prepare them differently for a change. This year, I’m leaning toward this recipe for slow cooker loaded potatoes. First off, it’s highly customizable. If your family is made up of vampires, leave off the garlic. Double down on the bacon if you wish. You could also toss in some olives and sun dried tomatoes if you’re feeling adventurous. The end result should be much more appetizing than yet another round of mashed potatoes.
I’m also considering this recipe for honey roasted butternut squash. Of those attending our home dinner on Thursday, half don’t like sweet potatoes. So, it doesn’t seem fair to leave them out and I know that at least two of them love butternut squash. This recipe is really simple to put together as long as one has a good, sharp knife. Butternut squash isn’t the softest veggie you’ll ever find. Alternatives like this really liven up a Thanksgiving menu without really risking upsetting expectations.
Finally, try something really different in the bread department. Of course, a lot of people use cornbread stuffing, but there’s still this expectation for some kind of roll or pull-apart bread. One year I got really adventurous and made challah, which the family enjoyed. Unfortunately, I don’t have that much counter space to give a full loaf of braided bread a place to rise. We’ll likely go with something from a local bakery. Just make it different than the store-bought Hawaiian rolls that are way over priced.
Different People
My parents taught us this one. Regardless of which holiday it might be, if we were fixing a lot of food, and my Mother always fixed enough food for a small army, we invited other people, and almost always people who we didn’t know. We never had a bad holiday when we did this. Never mind any religious differences, though the year we had an atheist at the table was interesting, never mind the cultural differences, the addition of new people always made the holiday better.
If you have been paying attention to the pictures we’ve used for this article, you’ve noticed all but one have a preponderance of tattoos. For reasons I have yet to understand, there are still a lot of people who find ink offensive. I don’t get it. That concept is almost always based out of ignorance, as is every bias. When we are celebrating our ability to over-consume while nearly a third of the world’s population is starving, we have a moral obligation to set aside our ridiculous opinions and reach out to people who are as different from us as possible. Build bridges, not walls. Invite that fussy neighbor. Pick up that friend of a friend whose name you can’t remember but you know will be alone. Hell, bring home a stripper. Strippers have to eat, too.
One of the reasons suicides go up during the holidays is because people who have been alone for far too many Thanksgivings just don’t want to go through another one. Try swallowing your fucking pride for a change. Invite someone different. You’ll both end up with a reason to be Thankful.
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