There is no need for temples, no need for complicated philosophies. My brain and my heart are my temples; my philosophy is kindness. —Dalai Lama
I learned a long time ago that I can’t please everyone. There are a few people, fewer than five, who seem frustrated that I don’t write more about photography since that is mostly what I do. I suppose I could do that, but I’ve always operated under the premise that if one is reading about photography one is not doing photography and the only real way to improve is to do, not read. When I do write about photography, I want it to be something that is genuinely helpful.
What I’ve noticed, though, is that in those moments when I consider doing something crazy like writing a book, the outline itself seems sufficient instruction. If I were to title a chapter with something like, “Understanding Depth of Field,” what else is there to say except that the larger the aperture, the smaller the number, and the shorter the depth of field. There, done with that chapter. You’re welcome.
Okay, so I can BS my way through a thousand or so words on just about any topic, but is that really helpful when, if you want to improve your photography, you have to get out and shoot; that’s the only way anyone gets better. You can read all the damn books by all the “experts” in the world, but if your camera is not in your hand, if you’re not snapping regularly, if you’re not taking risks and trying things out differently, you’re not going to improve.
I’m no longer shooting anywhere near as often as I did four or five years ago and while I’m still not exactly “okay” with that, I’ve come to terms with the reality that my body hates me. We have a working relationship in that my body doesn’t especially like me working and lets me know when I’ve gone too far. Actually, if I could get more shoots in between 4-6 AM, we might be more productive, but there aren’t many people willing to shoot at that hour. Having plenty of time to step back and think, though, has allowed me to re-asses my philosophy of photography and make some changes.
Philosophies come and go and none of them are ever iron-clad; they’re circumstantial at best. Philosophies are based on a specific perspective to a specific reality and as both the perspectives and the realities change, so do the philosophies. As a result, philosophies held by other people are of limited value. Their perspective isn’t going to be the same as yours. The reality is not going to be identical to yours, even though you might share significant portions. Philosophies are valuable to other people only as guides in helping them establish their own.
I’ve held enough different philosophies of photography to fill a terabyte hard drive. Could I talk about each point at length? Yes, but I’m not sure what purpose that would serve. If you want how-to articles, there are plenty of those spanning different topics at Peta Pixel and PDN. Neither link is an endorsement, mind you, just two obvious resources. All I’m giving you are bullet points. Use the contact form if you have questions or hit me up on Facebook.
- Photography is a means of communication. When you take a picture, you are saying something. When you share a photo, you are broadcasting a message. Think before you talk.
- Photography is a visual language and just as we don’t all speak English we don’t all take photographs the same way. That’s good. Diversity opens all our minds.
- Sometimes we have a lot of pictures to serve as our vocabulary, but we don’t always know how to put them together into cohesive communication. Learning to curate our photos before sharing them is important.
- Just because someone else did it doesn’t mean you can, or should. Find your own distinct look and play to that.
- Any camera that takes pictures is a good camera.
- Every once in a while, stop what you’re doing and shoot dirt. Choose a common element, such as a tree or a dandelion, and find a way to make it interesting. Keep the creative juices flowing.
- Don’t over-think any situation. Details can distract you from the creativity and artistry of the shot. Focus on the major elements and then shoot.
- Shooting nudes is to photography what figure drawing is to a traditional art education: fundamental. To not study the human body is to be unprepared for shooting a clothed one.
- Protecting the rights of photographers to shoot without interference is your responsibility, even if you never leave your own studio.
- Beauty is built upon flaws. There is no such thing as the perfect photograph. Play to the quirks, the oddities, and the imperfections of a subject.
- The world sees photography as a commodity. The only way to change their mind is to take pictures that are not common.
- Photography has the ability to tell a harsh truth and that scares people. Don’t be afraid to take those pictures. Sometimes people need to be scared.
- Censoring photography is like putting a gag in someone’s mouth. Just because someone doesn’t like the message doesn’t mean they have a right to control it.
- Photographers own the rights to their pictures just like a speaker owns the rights to the words coming from their mouths. Limiting the rights to a photograph because of who is in it is like limiting the rights to a novel because of the words the author used. Stepping in front of a camera does not give anyone rights to that image.
- Giving up rights to a photograph is a weakness.
- Neither taking a photograph nor being in a photograph gives either side the right to bully the other.
- Think with your eyes, see with your camera.
- Criticizing photographs is a waste of time. When examining a photograph, there are but two questions: Did you capture what you wanted? What would you do differently? Everything else is a matter of one’s creative taste.
- Saying one understands the whole of photography is like saying one understands every language in the world: you don’t. Photography is too broad, too complex, and too  individual in its details to be consumed as a whole.
- One doesn’t need friends who limit one’s work. One needs friends who will stand/sit/lie naked in front of your camera while one searches for an angle.
- The value of a photograph is not in the subject but in the photographer’s ability to tell the story of that subject in a single frame.
- Just as mountains are millions of years old, there are an equal number of ways in which they can be photographed.
- Light introduces us to a subject; shadows tell the story.
- Morality in a photograph lies not in its content but only in the mind of the person viewing it.
- To be jealous of someone else’s photography is to demonstrate the need for one’s own improvement.
- Displaying a photograph in both color and black and white is like telling a story from two different perspectives; one is the three little pigs, the other is the wolf.
- Technology and digital camera works open the field of photography to a whole new realm of exploration which we’ve not yet begun to understand.
- Never share a picture that didn’t first make you feel something.
I’m going to stop there. I’ve probably already exceeded the point of interest for the vast majority of people. Philosophies become boring the longer one is forced to stare at them. Consider what your philosophy might be. You don’t need to write it down, just think about it then pick up the camera and start shooting.
Philosophies don’t take pictures. Photographers do.
Thin Skinned
The White House can’t seem to handle criticism
The Short Version
Multiple incidents into this still-young administration demonstrate its inability to accept criticism without lashing back at its source, especially when that source is the news media. Yesterday alone, the president called any negative polls “fake news.” White House Press Secretary Sean Spicer lashed out at NBC’s Saturday Night Live depiction of him. The president also referred to a critical piece in Sunday’s New York Times regarding his personal habits as “total fiction.” Those statements follow a similar pattern the administration has used repeatedly of throwing a hissy fit every time they are criticized.
The Larger Picture
Every president has their critics, especially in the press. One can easily argue that it is the job of the press to keep the president and all other politicians honest by reporting their actions and words to the public. Criticism of president George W. Bush, for example, was unending during his second administration. Every gaffe, every misstatement, was reported and often made into headlines even when there was little supportive content. Even president Barak Obama, who enjoyed a much friendlier press, was swiftly challenged when his policies seemed flawed, especially regarding foreign wars and the ongoing detainment of prisoners at Guantanamo Bay.
Each previous administration has had a habit of addressing those criticisms with a carefully crafted statement outlining the reasons for their actions and the steps they would take going forward. Rarely has any exchange between the White House and the press become adversarial outside the Nixon administration. However, the administration of the 45th president has, from its earliest moments, shown itself to be easily offended and more than willing to lash out at the press and anyone else who criticized or challenged the White House.
Right off the bat, the president’s staff, and later the president himself, made false and misleading statements regarding the size of the inauguration crowd. Despite obvious evidence to the contrary, the White House continues even now to defend its position of having the largest inauguration ever. The president was angry that anyone would even question his assertion. The next thing we know, the White House is labeling the press as “the opposition party.”
With each executive order signed, there has been criticism of the president’s action and with each criticism has come a defense that is short on facts and long on insults. Consider the president’s reaction last Friday (3 February) when a Seattle judge halted the travel ban that had been imposed a week earlier. The president immediately took to Twitter, insulting the judge and calling his decision “ridiculous.”
Then, yesterday (6 February), the president made the claim that the media under-reported terrorist attacks around the world. However, when pressed to provide evidence to back up his claim, the White House released a hastily compiled list that not only contained several well-publicized events but several misspellings as well. The president also responded to a Sunday New York Times article that claims he was not fully informed on some decisions by calling the article “a complete fiction.” The president also referred to polls that cast his actions in a negative light as “fake news.” Then, White House Press Secretary Sean Spicer lashed out over a Saturday Night Live skit, calling actress Melissa McCarthy’s satirical impression of him “mean.”
Worth pointing out is the fact that such seemingly immature and childish behavior on the part of the president and his staff is characteristic of narcissistic personality disorder. DSM 5 diagnosis 301.81 includes among the symptoms of that disorder, “Resentment of others or a conviction that others are resentful of him or her.” The president’s actions regarding criticism and his relationship with the press are evidence of that symptom, along with others listed. That resentment displays in impetuous acts of defiance such as we’ve repeatedly seen from the president.
The president’s problem has not gone unnoticed.  The Associated Press released an article this morning detailing the unusual level of criticism and protest the president has received, and his response to them.  CBS news anchor Scott Pelly said the president is “divorced from reality.” CNN’s Jake Tapper, who has been a frequent critic of the president, also pointed out the problems with the president’s response to criticism. Even Britain’s speaker of Parliament lambasted the president yesterday and refused to allow him to address Parliament as other presidents have done.
With this administration still being so very young, one can hope that they will eventually learn the advantages of a more measured and disciplined response. We can hope, even if the current attitude is more like that of a four-year-old child tussling with its sibling.
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